Hawaii Film Blog

Wednesday, May 25, 2005

Hawaii as San Fran, NYC, UK, Oz, etc.

The Associated Press published a story yesterday on how Hawaii stands in for many different locations in "Lost" flashback scenes.

Here are some examples of how "Lost" has used Hawaii as somewhere else:

>> Oahu is World's Stand-In on "Lost" [AP, 5/24/05]

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Friday, May 20, 2005

Meanwhile in Gotham...

It was quite chilly and soggy today here in New York. I'm visiting my hometown, and my vacation happens to coincide with the Pacifika Film Festival that's happening downtown this weekend. Pacifika will screen Pacific Islander documentaries, shorts, and features, and hold several cultural workshops. The New York Daily News reported on the fest, highlighting fellow NYC-to-HNL transplant Jeremy Spear's "Polynesian Power" doc about Polynesians in the NFL, and stating that the fest "comes at a time when New York's Pacific Islander population - Native Hawaiian, Samoan, Tongan, Melanesian and Guamanian - is rising. The Bronx had the largest increase of Pacific Islanders in the country from 2000 to 2003, at 4,100, according to the U.S. census."

Several Pacifika events are being held at PostWorks, self-proclaimed to be New York's only full-service film and High Definition post facility. The company says its steady workload is due in part to the generous New York film tax incentives passed last year: “Whether it’s due to the ‘Made in NY’ tax incentive program, economic recovery from the effects of 9/11, or the rising strength of the Canadian dollar, production in New York is busier than ever,” said PostWorks’ president Billy Baldwin. “This season represents the largest number of network pilots shooting in New York in the last decade, and we’re very proud to have worked on four of them.”


This is a reminder that our proposal for enhancing Hawaii's tax incentives would have benefitted local post-production companies just as much as production companies.

>> Film fest touts skills of Polynesians in NFL [NYDN, 5/20/05]

>> PostWorks Handles Dailies for Four NYC TV Pilots [Postworks, 5/18/05]

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To Do: Queer Flicks, Kid Flicks

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Wednesday, May 18, 2005

Hawaii Galore in Hollywood Reporter

Yesterday, The Hollywood Reporter published a series of articles spotlighting Hawaii as a shooting location. Here's a roundup of them:

Location report: Hawaii
From: The Hollywood Reporter, 5/17/05
(Subscription may be required to view linked articles.)


In "Riding the wave," Hawaii is...

Versatile. State film commish Donne Dawson says "Lost" has opened people's eyes to Hawaii's versatility. An example of this versatility is given by Honolulu film commish Walea Contantinau, who notes that a "Lost" sequence set in Iraq was filmed in the pre-World War II bunkers at Diamond Head crater. Touchstone TV's SVP of production Barry Jossen says Oahu has been suprisingly capable of supporting "Lost's" flashback sequences and hopes to use even more local suburban and urban locales to double for other parts of the world.

Expensive. Jossen acknowledges that it's very expensive to shoot "Lost" in Hawaii, but even though Australia, New Zealand and Puerto Rico were considered for the pilot, "visually, there was no place that came close." Hawaii offered the perfect combo of beach, rain forest and mountains, plus close proximity to L.A. Still, many productions have been deterred by the expense of shooting here and have opted for other locations with better incentives and/or exchange rates. Big Island film commish Marilyn Killeri says, "We've lost a lot (of productions) over the years...When people do their budget comparisons, we go up against countries more than we go up against states. They're always comparing us to Thailand, Australia, Mexico and even Canada."

Emerging. The article highlights two locally-based production entities that have benefitted from Act 221/215. One, Hawaii Film Partners, recently produced "Flight 29 Down" for NBC/Discovery Kids. The other, Pacific Films, produced telefilm "Tides of War." Constantinau says that while the spending generated by these smaller productions may not be very significant, they represented "a huge step forward in the evolution of our industry" by offering opportunities for local crew members to step into higher levels of responsibility and for newcomers to get their feet wet.

>> Riding the wave: Film commissioners in Hawaii are using the success of ABC's 'Lost' to showcase the state's versatility. By Sheri Linden
_____________________

In "Hyping Hawaii"...

Marilyn Killeri says that the film and tourist industries in Hawaii are "brother and sister." Recently, Sony capitalized on this symbiotic relationship by teaming up with the Oahu Visitors Bureau (OVB), Hilton Hawaiian Village, and Hawaiian Airlines to launch a vacation sweepstakes promotion around Fifty First Dates. The promotion, publicized on MTV's TRL by the film's stars, included a virtual online tour of Oahu including a map to the movie's shoot locations, info on products and places featured in the movie, from Matsumoto Shave Ice to ukuleles, and 50 romantic ideas for couples vacationing on Oahu. The OVB had launched similar promotions with films such as Jurassic Park, Don Juan DeMarco, A Very Brady Sequel, George of the Jungle, and Mighty Joe Young. Currently, the OVB is working on a promotion for the Lilo and Stitch 2 DVD and discussing promo opportunities with "Lost."

>> Hyping Hawaii: Promotional tie-ins are a boon for Hollywood studios and the state's tourism industry. By Sheri Linden
_____________________

In "The aloha allure"...

Hawaii's a fun, mellow place filled with aloha...duh! Film industry folks agree. "Lost" producer Jean Higgins says, "It's a totally different lifestyle...it's really like getting paid to go to work at summer camp." Blue Crush director John Stockwell says, "We were shooting in the epicenter of big wave surfing. When they yelled, 'Wrap,' I would just stay out in the break." Flight 29 Down's Hallie Hirsh says, "Los Angeles has a highly caffeinated feeling about it. The Hawaiian crews completely embody 'aloha.' It's a lot more relaxed." And another Hawaii benefit touted by the industry is the ono local grinds served up by craft services.

>> The aloha allure: Filmmakers might be lured to Hawaii for practical reasons, but it's the simple pleasures that keep them coming back. By Todd Longwell
_____________________

In "Lost in paradise," "Lost" cast & crew wax poetic about their fave things to do and places to go on Oahu...
  • J.J. Abrams (co-creator/exec producer): Halekulani Hotel, Sushi Sasabune
  • Naveen Andrews (Sayid): Kahala Mandarin Oriental (Chi, Hoku's)
  • Bryan Burk (exec producer): Sushi Sasabune
  • Carlton Cuse (exec producer): Ted's Bakery, watching surfers at Pipeline, Kahala Mandarin Oriental
  • Emilie de Ravin (Claire): North Shore beaches, hiking, Haleiwa town
  • Jorge Garcia (Hurley): Aloha Stadium swap meet, Jameson's by the Sea
  • Josh Holloway (Sawyer): Boots & Kimo's Homestyle Kitchen, Hanauma Bay, beach, kayaking
  • Dominic Monaghan (Charlie): Surfing, Lanikai Juice
  • Harold Perrineau Jr. (Michael): Kayaking near Hawaii Kai, 12th Avenue Grill, Turtle Bay Resort,Kahala Mandarin Oriental
  • Ian Somerhalder (Boone): Waimea Falls, fishing in Waikiki and North Shore
>> Lost in paradise: How the cast and producers of the hit ABC series unwind when they're not working.
_____________________

In "Picture perfect"...

The Maui Film Fest (June 15-19) is thriving as a niche for positive, compassionate films, with 1,200 submissions this year. Jake Gyllenhaal, William H. Macy, Mike Myers and Luke, Owen and Andrew Wilson plus 22,500 other moviegoers are expected to attend the fest, which boasts the Celestial Cinema, featuring a 50-foot screen on a vast grass expanse between the Pacific Ocean and Haleakala. 60 films will screen at the fest, including Sundance hit "Hustle & Flow," Wilson bros. collaboration "The Wendell Baker Story," and Miramax ocean docu "Deep Blue."

>>
Picture perfect: The setting is stirring and so are the films at the Maui Film Festival. By Wolf Schneider

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Numerology: 221, 215, 235-110.9

I'd like to clarify some numbers and terms that get thrown around a lot when people talk about the state's "High Technology Business Investment Tax Credit." Sometimes they call it "Act 221," sometimes it's known as "Act 215," and for the really nerdy, it's referred to as HRS 235-110.9 (HRS = "Hawaii Revised Statutes"). Let me explain why this investment tax credit is known by so many different names and numbers.

First let's start with a short lesson on how statutes get created. A "statute" is a law enacted by a legislature. They start out as bills, then become acts, then become statutes.

When bills get passed, they become acts. Each year, there are a whole new set of acts, which means that the Act 221 in 2001 is different from the Act 221 in 2002, 2003, etc. For example, the Act 221 in 2004 established a revolving fund to pay for the operation of the A-plus afterschool program for latchkey kids. And the Act 221 in 2002 granted employers reasonable time to file worker injury reports. You'll note that these two Act 221s have nothing to do with film, TV, or tax credits.

So, it is important when talking about Act numbers to note which year you are talking about. In our investment tax credit case, Act 221 refers to the Act 221 in 2001, and Act 215 refers to the Act 215 in 2004.

This means that in 2001, someone introduced a bill that proposed the establishment of a high-tech investment tax credit that would be applicable to film/TV. This bill passed through the legislature and became Act 221 when the governor signed it into law. Act 221 then became incorporated into our Hawaii Revised Statutes ("HRS") in Chapter 235, Section 110.9. In shorthand, this is written as HRS 235-110.9.

Three years later in 2004, another bill was introduced to make revisions and refinements to HRS 235-110.9, like extending the tax credit expiration date from the end of 2005 to the end of 2010, outlining additional reporting requirements for investors, and establishing a protocol for the Tax Department to issue comfort letters. This bill was also passed by the legislature, and it became Act 215 when the gov signed it into law. The changes outlined by Act 215 were then incorporated into the already existing statute, HRS 235-110.9.

So now you can see why the "High Technology Business Investment Tax Credit," the verbal title of HRS 235-110.9, is known by these different names.

In Summary:

Act 221: The act passed by the legislature and signed by the governor in 2001 that first established the "High Technology Business Investment Tax Credit," which was then added to the Hawaii Revised Statutes in Chapter 235 as Section 110.9 (HRS 235-110.9).

Act 215: The act passed by the legislature and signed by the governor in 2004 that made revisions to HRS 235-110.9, the High Technology Business Investment Tax Credit. These revisions included extending the credit expiration date from the end of 2005 to the end of 2010, outlining additional reporting requirements for investors, and establishing a protocol for the Tax Department to issue comfort letters.

HRS 235-110.9: Short for "Hawaii Revised Statutes, Chapter 235, Section 110.9," this is the chapter and section of Hawaii's statutes that explains the High Technology Business Investment Tax Credit.

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Tuesday, May 17, 2005

"You’ve Seen the Films, Now Visit the Set"

Films and TV shows don't only bring production jobs and business to Hawaii, they also bring tourists. Hit shows and films are particularly good at generating tourism. Take "Lost," for example: Over 17 million people watched last week's episode--that's 17 million people checking out our beautiful beaches and vegetation. Not to mention, "Lost" has been splattered all over the media, often in photo spreads that have Hawaii as a backdrop. Actors from "Lost" have appeared on the covers of and inside Entertainment Weekly, TV Guide, Spin, People, Us Weekly, and GQ, to name just a few national magazines that boast millions of subscribers. Though it's difficult to measure the direct effect of all this publicity and promotion on Hawaii tourism, it's a no-brainer that it would inspire people to come visit the islands.

Even the U.S. Commerce Department recognizes the emotional impact of films and TV shows. That's why at the end of last year, the Department launched an integrated tourism marketing campaign in the UK with the theme, "You’ve Seen the Films, Now Visit the Set." TV ads and outdoor billboards featuring films such as Maid in Manhattan, Chicago, L.A. Story, Sweet Home Alabama, Viva Las Vegas, and our very own Blue Crush aimed to get UK tourists to visit the "famous" locales where these films were shot.

Even New York City has gotten in on the integrated film-tourism marketing act. Last year, the city introduced a "Made in NY" co-branded ad program, which connects locally-produced films and TV shows to their NY location.

>> To lure British tourists to the United States after 9/11, marketers turn to the cinema [NY Times, 12/15/04]

>> U.S. Department of Commerce Unveils New Integrated Tourism Marketing Campaign for UK [Dept of Commerce]

>> Made in New York Incentive Program [NYC's MOFTB]

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Focus on Focus

Has anyone recently visited a local multiplex only to sit through an out-of-focus film? Well, I smell a trend here. I recently started keeping a running tally of out-of-focus films I end up seeing in the theater. Here's my tally so far:

1. Minority Report - Waikiki Theater
* Reported fuzzy focus to manager during opening credits, and it was fixed immediately.

2. Troy - Restaurant Row
* Reported fuzzy focus to usher during opening scene, and it was fixed immediately.

3. Steamboy - Varsity Twin
* Reported fuzzy focus to usher during opening credits, and was met with resistance. I persisted in arguing my case and the focus was fixed. (There was an audible "Ahhh!" from a relieved audience when the picture snapped into focus.)

4. Sin City - Ward
* Reported fuzzy focus to manager during ads and trailers. Was told picture would clear up when film started. Focus still fuzzy at opening credits, got out of my seat again to complain. Projectionist finally sent to observe. Projectionist stood in booth for 20 minutes and didn't do anything. Film was left out of focus for rest of film. Asked for and got my money back.

It isn't just local theaters I've had issues with. When I watched Lost in Translation at the Chelsea Clearview in New York, the boom mike kept dropping into the frame. Roger Ebert has written extensively on this issue and blames it on incompetent projectionists.

Perhaps lame and out-of-focus projection is the reason why the U.S. box office continues to slide. No one likes paying $8-10 to ruin their vision by watching an unfocused film, or to have our disbelief continually unsuspended by a bobbing boom mike.

Listen up, theater owners and film distributors: help stop the box office slide by correcting projection problems! And theatergoers: please speak up when a film is out of focus (don't just leave it up to me)--it helps the entire audience.

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News Tidbits

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Monday, May 16, 2005

"Widespread Support"

There's been a lot of talk about "widespread support" for the film bill that would have increased the refundable production tax credit to 15-20%. But just who exactly are these people who constituted this "widespread support"? Here's a list of folks (that I know of--there's probably more) who submitted official committee testimony, or called or emailed legislators directly to support the film bill this past legislative session:

Unions
* Hawaii Teamsters & Allied Workers, Local 996
* International Alliance of Theatrical Stage Employees (IATSE), Local 665

* Screen Actors Guild (SAG)

Government
* Dept. of Business, Economic Development, & Tourism (DBEDT)
* Dept. of Taxation (DoTax)
* Big Island Film Office
* Honolulu Film Office
* Kauai Film Office
* Maui Film Office
* Oahu Visitors Bureau

Associations
* Diamond Head Neighborhood Board
* Kahaluu Neighborhood Board
* Native Hawaiian Hospitality Association

* North Shore Chamber of Commerce
* North Shore Neighborhood Board
* Olelo
* Waikele Community Association


Educators, Student-Related
* Patricia Gillespie, Kamehameha Schools
* Hawaii Student Film Festival

* Bob Hochstein, Video Professor at Leeward Community College
* Candy Suiso, Waianae High School Seariders Program
* UH Pacific New Media

Studios
* The Walt Disney Company ("Lost," Touchstone TV)
* Warner Brothers Entertainment
* Producer, "North Shore," Fox


Local Filmmakers, Crew Members, and Other Individuals
* Irish Barber, Irish & Company
* Scott Baron, Scott Baron Films
* Johnson W.K. Choi, Makai Motion Pictures
* Renee Confair Sensano, Confair Productions
* Brian Dinsmore, Student & Actor
* Gerard Elmore, Filmmaker

* Dana Hankins, Redhead Productions
* Patricia Hastie, Actress & Writer
* Geoff Heise, Employee of travel & tour agency
* Jim Hutchinson
* Genie Joseph, Hawaii Movie Studios
* Amy Kastens, Former Maui Film Commissioner
* Angela Laprete, A Laprete Production

* Vince Keala Lucero, Filmmaker
* Jeff Kent, UH Law Student, Film School Grad
* Marilyn Mick, Location & Production Manager
* Robert Pennybacker, Pennybacker Creative LLC
* Ginger Peterson, Peterson Productions
* William "Chico" Powell, Production Accountant for "North Shore, " etc.

* George Russell, Filmmaker
* James Sereno, Kinetic Films
* Georja Skinner, Skinner Entertainment
* Randy Spangler, Location Manager for "Lost," "North Shore," "Pearl Harbor," "Magnum PI," "Hawaii Five-O," and more
* Stephanie Spangler, Hawaii Film Authority Inc.
* Jim Triplett, Location Manager for "Lost," etc.
* Aaron Yamasato, Filmmaker, "Blood of the Samurai"

Vendors & Businesses
* Academy of Film & Television, Inc. (acting studio)
* Akamai RV Rentals (transportation)
* Atlantis Adventures (tours)
* Campbell Estate (developer)

* Charlie Long Security
* Dillingham Ranch
* Dwyer, Schraff, Meyer, Jossem & Bushnell (law firm)
* EagleVisions Video Corp. (editing, post)

* FXproductions (still photography)
* Goodsill Anderson Quinn & Stifel (law firm)
* Hawaii Media Inc. (camera, grip & lighting house)
* Hilton Hawaiian Village (hotel)
* Home Baked Entertainment (effects, post)
* Kahala Mandarin Oriental (hotel)
* Ko'Olina Resort & Marina (hotel, developer)
* Mt. Kalihi Productions (local music production)
* Pacific Focus

* Reel Services Hawaii, Inc. (casting)
* Rock & Roll Kitchen (production caterer)
* Tropical Music, Inc. (local music production)
* Turtle Bay Resort (hotel)

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Federal Film Tax Incentive: Bogus?

A pair of articles in Variety last week highlighted early applications of the film production provisions of the American Jobs Creation Act, passed by Congress and the Bush administration in October 2004 in an effort to stem runaway production.

The Act sought to:
(1) reduce the corporate income tax rate for domestic producers of film and television provided that 50% of their wage budget was paid to U.S. residents, and
(2) allow low-budget domestic productions costing between $1-15M, or up to $20M in distressed economic areas, to write off 100% of production costs in a single year, provided that 75% of their wage budget was paid to U.S. residents.

Variety's Matthew Ross reports, "Most important, the act as drafted permitted gains on sales on the film held for more than one year to be treated as capital gains -- which are taxed at 15% -- rather than ordinary income, which is taxed at 35%. Initially, the bill was hailed as a major victory for the independent sector, but that enthusiasm was short-lived. In January, the Joint Committee on Taxation announced that the capital-gains clause was unintended and would most likely be revoked, and that budgets would include participation and residual deals, thus making fewer projects eligible for the $15 million condition."

While many producers believe the Act is essentially useless in spurring film investment and production, some say that it does have real benefits to offer.

Producers of TV series, for example, seem to be the primary beneficiaries of the Act so far. That was the conclusion at a recent panel hosted by showbiz tax experts Jeff Tolin from Ernst & Young and Rick Rosas from PriceWaterhouseCoopers. As Variety's Dave McNary reports, "Rosas and Tolin indicated that feature producers appear to be less inclined than their small-screen brethren to take advantage of the new provisions because of their concerns that production costs will exceed the $15 million cap. They also noted that the language contained in the legislation applies to all features -- including animation and documentaries -- and may even be broad enough to be applied to costs on TV news and sports programming."

>> Feds' bait-and-switch move gets mixed reviews [Variety, 5/8/05]
>> TV catches a break [Variety, 5/12/05]
>> American Jobs Creation Act of 2004 [Public Law 108-357]
(Provisions on Film/TV production can be found in Section 199, Income Attributable to Domestic Production Activities, and Section 181, Treatment of Certain Qualified Film & Television Productions.)

(
Note: Variety links require subscription.)

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Friday, May 13, 2005

Keep on Keepin' On

In today's Pacific Business News, Stewart Yerton writes that despite the death of the 15-20% refundable production tax credit bill, the Hawaii film office and the state will keep trying hard to attract and stimulate production with existing incentives and resources.

Yerton also explains why a producer would have chosen the proposed 15-20% refundable tax credit over the 100% Act 221 investment tax credit, even though it may seem counterintuitive to do so: "Despite their generosity, the acts are often cumbersome for producers to use. Los Angeles studios typically have no Hawaii tax liability, so they must find local investors to whom the studios can transfer the credits through a limited partnership. Local lawyers and accountants must be hired for the transactions. And the local investor-taxpayer often buys the tax credits at a discount, paying perhaps 50 cents for a credit worth $1. Finally, all of this must be approved on a case-by-case basis by the state Department of Taxation. The failed bill would have eliminated the need for such gyrations...[and] would have required producers to choose between the Act 221/215 credits and the refundable credit, eliminating...'double dipping.'"

The article provides a good overview of the current state of incentives and the rationale for the failed bill, but there are two small points to note:


1. Last year's state production expenditures were $161M, not $166M.

2. The article and accompanying graph states that both the current film incentive program (Act 221 + 4% refundable credit) and the proposed program (Act 221 + 15-20% refundable credit) costs or would have cost the state $28 million per year. I just wanted to point out that this is just an estimate (not hard dollar figures of credits actually doled out) by the State Department of Taxation and the Council on Revenues.

State will court film industry despite incentive bill’s failure [PBN - pdf file]

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Thursday, May 12, 2005

Our Best Year to Our Worst?

The Honolulu Advertiser's Michael Tsai talks to state film commissioner Donne Dawson about this year's failed film legislation. Says Dawson: "There is a lot of extreme disappointment, here and in Hollywood. There were a lot of projects waiting and watching to see what would happen. I'm not sure what the impact will be and how we'll go forward. This could mean that those projects now go elsewhere and we'd be up a creek....We have to do something, I just don't want to go from our best year in 2004 to our worst in 2005."

No new tax breaks for film industry [Hnl Advertiser]

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"North Shore" Auction

FOX's "North Shore" TV series will be auctioning 22 episodes' worth of items, including props, set dressing, electric cars, teak furniture, antiques, practical lights, surfboards, fish tanks, drapes, file cabinets, TVs, outdoor furniture, vases, paintings, signs, wigs, and more.

Date: Saturday, May 21, 2005
Time: 10am (Preview from 8am-10am)
Location: Hawaii Film Studio, 510 18th Avenue, Honolulu, HI 96816
Auctioneer:
McClain Auctions

If you cannot make the auction date, there will be a special preview on Friday, May 20, for those who want to submit a closed bid. Go to
McClain Auctions for details.

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To Do: See, Hear, Speak

  • See The Land Has Eyes at the Windward Theater (closing after tonight's 7:25pm showing)
  • Watch Day of Independence and An Untold Triumph on the tube. [HIFF]
  • Share your film clips, talk story, and hear Kelly Mashon, producer and host of Island Women (OC16), speak at the Hawaii Filmmakers Meeting on Sunday 5/15, 4-6pm, UH Manoa, 2500 Dole Street, Krauss Hall 012, Yukiyoshi Room. [Hawaii Filmmakers Yahoo! Group]

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Monday, May 02, 2005

Elegy for Film Bills and Mahalo



Say aloha to the last remaining film bill, HB1590, which is now dead. It joins this year's batch of previously killed film bills, SB541, SB651, SB1304, SB1794, HB607, SB716, HB914, HB950, and HB1131. May they rest in peace until next year...

THANK YOU ALL for taking the time to band together as an industry and community to rally our legislators. Stay educated, stay active, and good luck finding work (we'll all need it)!

In the meantime, get to know Hawaii's current film tax incentives. See the Hawaii film office site or click below to read the statutes:


Motion Picture and Film Production Income Tax Credit
(4% refundable production tax credit, 7.25% hotel room tax credit)

High Technology Business Investment Tax Credit
(Commonly referred to as "Act 221" or "Act 215," this 100% investment tax credit was designed with locally-based indies in mind. See Hi-Tech Tax Incentive Section of Hawaii Tax Dept's site for detailed info.)

Royalties Tax Exemption
(Royalties from patents, copyright, or trade secrets are exempt from income tax)

For the more nostalgic and masochistic among us, I will leave up this blog. It's been a pleasure blogging you!

I'll leave you with Donne Dawson's elegy for HB1590...


----------------------------------

From "Letters to the Editor" in Honolulu Advertiser, Sunday, May 1, 2005:

Film-incentive bill would have put Hawai'i on map

Sean Hao's article on Friday did not adequately speak to the benefits of the film-incentive legislation, which was unsuccessful this year despite widespread support.

House Bill 1590 was not a new tax credit but a refinement to existing tax incentives that would have saved the state money and put us on the map as one of the world's most competitive and beautifully diverse film locations. After years of trying to get a competitive film-incentive package passed at the Legislature, this year felt by far to be our best hope ever, with an unprecedented level and breadth of support.

We are grateful to everyone who supported this effort, especially the hard-working people of this industry who rallied together in an attempt to make it happen. For the record, HB1590 would have:

• Provided a competitive alternative to the investment tax credit under Act 221/215, actually reducing the amount the state gives out in film tax credits.

• Created skilled, well-paying jobs for our local pool of film industry workers, as well as workers in related businesses.

• Provided training opportunities for our students and young professionals to hone creative and technical skills.

• Kept our students and young professionals from leaving Hawai'i for quality film and digital media jobs and careers elsewhere.

• Built production infrastructure by stimulating growth and development of our local production-support companies, such as those that specialize in editing, visual effects, animation and production equipment.

Inspired and empowered the artistic and cultural creativity of Hawai'i's own filmmakers.

• Offered "free" positive promotional exposure for the state.

• Diversified Hawai'i's economy by promoting a clean, non-polluting, highly skilled, highly visible industry.

Above all, this measure would have enabled Hawai'i to truly compete with other jurisdictions that offer attractive production incentives.

This is a sad moment for Hawai'i's film industry. Every time we come to the brink of getting traction toward our common aspiration of a diversified economy with good jobs for our kids, we blink.

Donne Dawson
Hawai'i state film commissioner

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R.I.P. 2005 Film Bills

Say goodbye to the latest drafts of the film bills that had been our strongest contenders for building a local film industry:

HB 1590 (refundable production tax credit)
SB 541 (refundable production tax credit)
SB 1304 (grant funds for local filmmakers)

Better luck next year...

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